There Is Something About Tott (2015) Khmer Dubbed | Full Movie

Sylvester Stallone plays the improbably named Kit Latura in this sometimes clumsy but very entertaining thriller, which is chock-full of all the things that make a disaster film great, plus Dan Hedaya. It’s very difficult to tell that Stallone’s character’s name is Kit, because it sounds like people are calling him “kid” all the way through the movie. Nonetheless, if you can make it through the boring patches, you will find a surprisingly well-made movie with lavish production values and a solid performance from Sly. But is it goofy? Oh, my, yes!

Stallone, a former paramedic, now a New York City cab driver, is compelled to offer his superhuman assistance when a carload of young punks loses control and careens into a convoy of trucks carrying toxic waste, causing a devastating explosion in a commuter tunnel linking New York to New Jersey. At the same time, a number of other people are converging on the scene for various unrelated reasons, offering up a veritable chef’s salad of disaster movie clichés. There’s an older couple (Claire Bloom and Colin Fox) out with their dog; another, squabbling couple (Jay O. Sanders and Karen Young) and their precocious teenage daughter; type-A sporting goods entrepreneur Viggo Mortensen; a police bus carrying several teenage felons (including Stallone’s son, Sage); young struggling playwright Amy Brenneman, whose life is totally collapsing because she’s basically an idiot; a security guard who works in the tunnel; and, of course, Sly himself (or Kit Latura, or “Kid”). Anyway, what we’re really waiting for is the big disaster scene—and, for once, none-too-subtle director Rob Cohen’s taste for excess is put to good use; the explosion sets off an incredible chain reaction of destruction. It’s a fantastic sequence, extremely well photographed and edited, in which huge toxic fireballs race through the tunnel, engulfing cars and crisping their occupants.

As well, huge chunks of concrete are brought down onto people and vehicles, crushing hapless motorists flat as pancakes. The explosions seal the tunnel at both ends, trapping all but Stallone inside with the middle of the underwater tunnel hanging precariously and about to collapse. Inside the tunnel, the survivors emerge in a daze, except for Viggo Mortensen, who happens to have mountain climbing gear with him and who decides to try to climb his way out through the rubble. It’s terrifying to hear this very fine actor have to say lines like “I was born six weeks premature. My own mother couldn’t keep me in!” Meanwhile, outside in the tunnel’s control center, Stallone is desperately trying to convince acting EMS chief Dan Hedaya and, um, generally-the-guy-in-charge-of-everything Barry Newman that he should somehow go in there to rescue these people. Everyone agrees; they’re obviously not prepared for a situation like this and are willing to accept Stallone’s ludicrous plan. He decides to enter the tunnel through the ventilation fans, and there are four of these enormous structures, but he can’t shut them down or else he’ll risk cutting the oxygen supply to the tunnel. It’s an incredibly dangerous task, and this is the one other unquestionably great scene in the film, perfectly executed to generate actual suspense. Stallone manages to navigate through the fans and survives the crushing force of their combined blowing power. Even though he’s risked his life to try to help these people, and they have no other option but to let him try, they’re the most ungrateful bunch of assholes imaginable. I kept thinking to myself, we’re supposed to want him to save them, but now, I really don’t. On the other hand, maybe they were still angry at him for having made Lock Up. Soon the ceiling starts to collapse, and more water floods in. I thought it was funny how Stallone just stands there watching it like he can’t believe it’s happening. Yeah, maybe if I don’t move and do nothing, everything will be fine. Eventually he uses explosives to seal the breach, and there’s a really cool goopy mud effect when the explosion creates a wall of slime that dams up the tunnel. 

Later, the security guard or cop or transit officer or whatever the hell he is gets trapped underneath a car when the pavement he’s standing on suddenly erupts, and as the water level rises, everyone desperately tries to save him. (Disaster movie fans will recognize this as one of the genre’s many sadistic flourishes; often, when someone is injured and a great effort is made to save him, he will survive with serious injuries, only to die a horrible death later.) After this, Stallone explains to Brenneman about his sordid past and why he was fired from the EMS, and it’s supposed to give us insight into his psychology and why he would undertake the nearly impossible task of trying to save these people, and it does, but I thought it was funny when he admits to her that he never had a plan to get them out. As the water level continues to rise, Stallone takes a swim and finds an old bunkroom from when the tunnel was originally built, which allows a pensive Claire Bloom to describe the death of her son. In a moment that I find riotously funny in its unnecessarily complicated silliness, she reveals that her son was killed while “trekking in Nepal,” where he contracted a deadly fever. 

They soon come across a flight of stairs leading up to possible freedom, but at that moment a tremor rocks the place and the stairs begin to collapse. They quickly run to the top, but once there, Stallone looks back to see a character’s damn dog swimming toward them! And since dogs aren’t allowed to die in disaster movies, he risks his life to go back and save the mutt. In return for his kindness, Stallone is knocked into the water when a huge beam smashes into the stairs, destroying them.